We don't know about y'all, but this summer had us spending way more time indoors than usual. This week, Morgan and Isabeau share some of what's been keeping them afloat and joyful in these trying times.
As promised, Part Two of yr girls’ conversation with the illustrious Scarlett Peckham, and a deeper dive into Judith McNaught’s canonical debut novel Whitney, My Love. Sexiest parts, weirdest parts, and all the parts in between.
CW: sexual assault, intimate partner violence
If you experienced sexual assault and need or would like help, visit centers.rainn.com for resources in your area, or call 800-656-HOPE (4673) for confidential support.
We don’t know about y’all, but after all that Entrop[e]y, yr girls needed a little faith restored. This week, Morgan and Isabeau dive into the new multimedia romance audio series Ten Week Turnabout, by Amelia Rose, produced by ConSensual. Told through a variety of means, the story follows the reunion of Ingrid and Noah, former high school crushes from a small town in Indiana, who are meeting again in the sweltering heat of a New York City summer. Whoa!mance got a sneak peak of this new immersive experience and it’s a real scorcher y'all so dress to sweat.
Back in December, the Romance Writers of America (RWA) tried to pull a yuletide fast one hoping twitter’s watchful eye was fixed on other cravings. This week, Morgan and Isabeau reflect on that fateful reckoning, the Ritas becoming the Vivians, and other reasons to be cautiously hopeful about the future of Romance.
After exploring romance through the lenses of hockey and American football, yr girls are calling a timeout to process all this masculine energy. This week, a few final thoughts on SPORTS romance, the normalization of male violence, and the toxicity of body image standards. Tune in since you can’t watch real SPORTS anyway.
We’ve all been talked about. And we’ve sure as shit all talked about. Then why, despite its ubiquity, does gossip still feel like a dirty word? This week, Morgan and Isabeau take a closer look at how gossip functions as a literary device, and how we benefit from its use as a complex social and pedagogical tool.